Rejuvenation
A recipe for Bridal Health and wellness

​Photographer: Meraya Studios
​Directed & Styled: Breath of Henna & The Sai Lens

I believe that a Bride’s henna moments should not only reflect the cultural associations of henna but who she is as a woman.
These stills were captured to express the importance of time and transitional periods. After adorning many brides and hearing their stories, the application of Mehndi is a much needed period of cleanse;  so often forgotten or packed away with wardrobe of ones youth and history during wedding season.

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Adorned the beautiful Mashiat who recently got married in Bengladesh. This diary was a PLATINUM B Diary which was rendered beautifully with her love story and personal details. She is wearing a printed tulip saree from Chandan Fashion, denim of her own and a vintage blouse from Chosen Vintage.

REAL BRIDES

One Bride had mentioned that she was financing her wedding as her father had long passed and her mother was her sole supporter. She did not want to burden her mother as she had no savings and had worked a half day before we had met. As my fingers wrapped around arm, the warmth of my fingers transferred into my other non-dominant hand and she felt a sense of comfort. I have been told to possess powers of healing or comfort but this was something we both shared. This was a moment she needed and I was glad to be there. You need to be healthy and happy but not everyone has a support system or can ask for one. Every bride walks a different journey and for that reason, her diary should be her own.
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​ADVICE

​I believe that this moment of clarity is needed and having a bridal stylist for your special day provides our communities with a deeper understanding of marriage. Our families need to understand that a bride is a whole of her own kind; her view on the world is one of multiple lenses and so sees culture through colour first and not with meaning.  As the time of marriage is within hours, the process in planning a blissful marriage can be slow and steady. This style shoot is for the working woman, the woman providing for her family, the woman who begins her day with free spirit, the woman who may be a mother, the woman who has a second chance in marriage, a woman who is accepting of change and diversity within marriage.

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My advice to the bride of today, take some time to meditate with the ones you love, a few fingers in counting.  As you near your special day, turmeric blended with oils and yoghurt will be used to exfoliate your skin, enjoy it. As you bathe in milk or a luminous mixture of oils and water, allow it rejuvenate your skin for a new path; a journey involving another whole world. As you have prepared your look through pins and screenshots for your sangeet or mehndi, allow others to adorn you whom you trusted or hired. Family and friends will rejoice alongside the bellies of drums and dancing glasses filled with lassi and refreshing cocktails, take part.

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Team Credits:

Meraya Studios
Mashiat
Breath of Henna
The Sai Lens
Chandan Fashion
Chosen Vintage


For Bridal Styling and personal stories, please email: sailensbooking@gmail.com

Love 
    & 
Tea

Photography: Monika Mistry

 
COME into the garden, Maud,
  For the black bat, night, has flown,
Come into the garden, Maud,
  I am here at the gate alone;
And the woodbine spices are wafted abroad,        5
  And the musk of the rose is blown.
 
For a breeze of morning moves,
  And the planet of Love is on high,
Beginning to faint in the light that she loves
  On a bed of daffodil sky,        10
To faint in the light of the sun she loves,
  To faint in his light, and to die.
 
All night have the roses heard
  The flute, violin, bassoon;
All night has the casement jessamine stirr’d        15
  To the dancers dancing in tune;
Till silence fell with the waking bird,
  And a hush with the setting moon.
 
I said to the lily, “There is but one
  With whom she has heart to be gay.        20
When will the dancers leave her alone?
  She is weary of dance and play.”
Now half to the setting moon are gone,
  And half to the rising day;
Low on the sand and loud on the stone        25
  The last wheel echoes away.
 
I said to the rose, “The brief night goes
  In babble and revel and wine.
O young lord-lover, what sighs are those,
  For one that will never be thine?        30
But mine, but mine,” I sware to the rose,
  “For ever and ever, mine.”
 
And the soul of the rose went into my blood,
  As the music clash’d in the hall:
And long by the garden lake I stood,        35
  For I heard your rivulet fall
From the lake to the meadow and on to the wood,
  Our wood, that is dearer than all;
 
From the meadow your walks have left so sweet
  That whenever a March-wind sighs        40
He sets the jewel-print of your feet
  In violets blue as your eyes,
To the woody hollows in which we meet
  And the valleys of Paradise.
 
The slender acacia would not shake        45
  One long milk-bloom on the tree;
The white lake-blossom fell into the lake
  As the pimpernel doz’d on the lea;
But the rose was awake all night for your sake,
  Knowing your promise to me;        50
The lilies and roses were all awake,
  They sigh’d for the dawn and thee.
 
Queen rose of the rosebud garden of girls,
  Come hither, the dances are done,
In gloss of satin and glimmer of pearls,        55
  Queen lily and rose in one;
Shine out, little head, sunning over with curls,
  To the flowers, and be their sun.
 
There has fallen a splendid tear
  From the passion-flower at the gate.        60
She is coming, my dove, my dear;
  She is coming, my life, my fate;
The red rose cries, “She is near, she is near;”
  And the white rose weeps, “She is late;”
The larkspur listens, “I hear, I hear;”        65
  And the lily whispers, “I wait.”
 
She is coming, my own, my sweet;
  Were it ever so airy a tread,
My heart would hear her and beat,
  Were it earth in an earthy bed;        70
My dust would hear her and beat,
  Had I lain for a century dead;
Would start and tremble under her feet,
  And blossom in purple and red.